the tortoise

politics & culture

|,`slowly crawling to the light`

On the ((Cinematic)) Finality of The Feminist Construence of The Purposive Male Bar-Room Encounter

After having exacted a pointless political crusade to establish as objective facticity the essential selectivity of the female as active interlocutor in the formation of any male-female sexual relating with respect to the vulgarity of the scumbag male sat on a barstool...xxxxxxxxxxxxxxxxxxxxxxxxxxxx

After having exacted a pointless political crusade to establish as objective facticity the essential selectivity of the female as active interlocutor in the formation of any male-female sexual relating with respect to the vulgarity of the scumbag male sat on a barstool...xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

After having exacted a pointless political crusade to establish as objective facticity the essential selectivity of the female as active interlocutor in the formation of any male-female sexual relating with respect to the vulgarity of the scumbag male sat on a barstool who risks life and death to make contact with a female standing nearby(in whatever banal way is accessible or top of mind, comedic, ridiculous, or misguided), the feminist liberation crusade is left wanting for little more that the performance of duty commensurate with the hollowing-out of these cinematic encounters of all that might be in any way shape or form unpredictably non-conformant, as a summation across all possible 'female' preference trees with respect to all 'male' imaginings, factorialized combinatorically to exclude any and all repeated protection-claims such that the compounded hyper-rationality of the non-desirability of non-preferentialties with respect to such an occurence is precisely commensurate with its apparitional insubstantiality(i.e., to that of a purely representational activity in which the male makes an apparently omniscient action in the mode of being nothing more than a placeholder for 'female' expectation::i.e., as the externalization and reversal of the inherent activity of the female with respect to selectivity with respect to males as real-life situations are stripped of the cinematic personas necessary for pre-structuring of such encounters in public space as private enactments in which female activity can be interpreted ('passively') as such but that heretofore becomes a demand for a performance that is no longer possible according to an attribution of activity that is inviolable because it is actually impossible and not either male or female, for either the 'male' or the 'female').